“I had the pleasure of working with Paul on my feature Chuck Chuck Baby. He is a fantastic grader who understands and listens to the desires of the Director and will do his upmost to achieve that. He has a great appreciation for cinema and storytelling so he brings his own unique creativity to the grade which was so inspiring. I have no hesitation in recommending how brilliant he is and his love for any project is obvious with the time he dedicates to it.”

Janis Pugh, Filmmaker | CHUCK CHUCK BABY

“Paul and the team at Dragon have collaborated with Nimble on a number of projects over the years for national and international broadcasters. The standard and quality of grading and finishing at Dragon is why we keep coming back. The attention to detail and care and attention to bring our content from high-end sport documentaries for BBC or sport-entertainment properties for Red Bull, is vital to us as a company that our work looks the best it can be, and with Dragon, they always deliver.”

Dylan Wyn Davies | NIMBLE PRODUCTIONS

"Napoleon and its restoration are legendary. When working with Kevin Brownlow to make his lifetime’s work available for audiences in a release with Carl Davis’ score, it was a real source of strength to know we could rely on Dragon to bring all their resources of creative, collaborative thinking and sympathetic technical understanding to the undertaking. Dragon’s base is a crucible for combining innovation in the latest display technologies with an abiding respect for original production methods. The breath-taking rendition of the film’s colours and triptych finale are testament to the value of our relationship with Dragon."

Kieron Webb, Film Conservation Manager | BFI NATIONAL ARCHIVE

“I've chosen post-production outfit Dragon for five of Western Edge Pictures' features to date, three of which I directed myself (Third Star, Mr Calazghe and Pistorius) and two of which we produced for writer / director Alice Lowe (Prevenge) and Ryan Hooper (The Toll). 

Each time, they have proven to be the masters of their technical game, the most dedicated of problem solvers and always on board with the necessary creative direction so that the final results match up with, if not improve upon, the original artistic vision for the film. Above all, … they are so much more competitively priced than London post houses and therefore represent the best value for (the ever squeezed) production budgets.”

Vaughan Sivell | WESTERN EDGE PICTURES 

“I have worked with Dragon Digital with great success and enjoyment to finish ten of my films over the last decade … I love working alongside the team.“

Leo Dickinson | ADVENTURE ARCHIVE

“We always love working with Dragon not only because of the excellent quality of the work on screen, but also because of the clarity of communication and ease in coordination.  I can't recommend Dragon highly enough.”

Dewi Gregory | TRUTH DEPARTMENT

“I've worked with Dragon on multiple projects now and not only are they a pleasure to work with, but I've also found them to go well beyond what's expected to realise the final product. From the grade to the VFX, they've made my films look infinitely better, whilst giving me constant confidence throughout the process.”

Ben Parker, Director/Writer | THE CHAMBER; BURIAL 

“Our experience working with Dragon throughout the shooting and post production of Last Summer was second to none – from rushes delivery through the edit, VFX delivery, online and final grading process, Paul and his team were exemplary and provided us with a service that would be hard to beat.”

Jonathan Jones, Director, Writer | LAST SUMMER